Flying Freehold takes its title from the legal term for property extending into spaces it does not own, paralleling the fragmented and impermanent nature of modern life. It reflects on the paradox of claiming intangible spaces like the air or sky and how this mirrors human connection: unseen boundaries, shared but contested spaces, and transient exchanges. The softcover book utilises materials familiar to architecture; the cover image is printed on one-sided white cardboard and wrapped by a translucent jacket featuring silver-printed text. Images flow through the uncoated, warm white pages, incorporating a dynamic combination of full-colour and grayscale images, interspersed with moments of pause.

Object, space, and colour form Clover’s painter palette, capturing everyday reality through these fundamental tools. Dialogues explores the interrelation between images, art, and memory. By pairing photographs taken over the last three years, Clover creates an intuitive narrative that reveals relationships between images and objects that would ordinarily exist independently. The book presents a single section mounted into a square-spine cover, with an essay printed on a loose sheet of one-sided blue poster paper, inserted between the pages.